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Petrarch

Adapted from Wikipedia · Discoverer experience

A statue of the famous Italian poet Francesco Petrarca, displayed in the Uffizi Gallery in Florence.

Francis Petrarch (born Francesco di Petracco; 20 July 1304 – 19 July 1374) was an Italian scholar and poet of the early Italian Renaissance, as well as one of the earliest humanists. He played a big role in shaping the way people thought and wrote during his time.

One of Petrarch's most important contributions was finding and sharing the letters of Cicero. This discovery helped start the 14th-century Italian Renaissance and led to the beginning of Renaissance humanism. Later, in the 16th century, a writer named Pietro Bembo used Petrarch's work, along with that of Giovanni Boccaccio and Dante Alighieri, to help create the modern Italian language. An important group of scholars, the Accademia della Crusca, even said Petrarch was a great example of good Italian style.

Petrarch was also famous for his poems, especially his sonnets. People all over Europe admired and copied his style during the Renaissance, and his poems became a model for lyrical poetry. He was also the first person to talk about a time called the "Dark Ages", which was how people described the years between the fall of the Roman Empire and the start of the Renaissance.

Biography

Summit of Mont Ventoux

Petrarch was born in the Tuscan city Arezzo on 20 July 1304. He was the son of Ser Petracco and his wife Eletta Canigiani. His birth name was Francesco di Petracco, which he later changed to Franciscus Petrarcha. Petrarch spent his early years near Florence and later in Avignon and Carpentras, where his family moved because of Pope Clement V. He studied law at the University of Montpellier and Bologna, though he was more interested in writing and studying Latin literature.

Petrarch became well-known for his writing and letters. One of his famous achievements was climbing Mont Ventoux for pleasure, which showed his love for exploring and learning. He also discovered important letters by Cicero, helping to start the Renaissance. He made many friends, including Boccaccio, and spent his life traveling, writing, and sharing knowledge.

Original LatinEnglish translation
Etruscus gemino vates ardebat amore:
Maximus ignis ego; Laura secundus erat.
Quid rides? divinæ illam si gratia formæ,
Me dignam eximio fecit amante fides.
Si numeros geniumque sacris dedit illa libellis
Causa ego ne sævis muribus esca forent.
Arcebam sacro vivens a limine mures,
Ne domini exitio scripta diserta forent;
Incutio trepidis eadem defuncta pavorem,
Et viget exanimi in corpore prisca fides.
The Tuscan bard of deathless fame
      Nursed in his breast a double flame,
        Unequally divided;
      And when I say I had his heart,
      While Laura play'd the second part,
        I must not be derided.

      For my fidelity was such,
      It merited regard as much
        As Laura's grace and beauty;
      She first inspired the poet's lay,
      But since I drove the mice away,
        His love repaid my duty.

      Through all my exemplary life,
      So well did I in constant strife
        Employ my claws and curses,
      That even now, though I am dead,
      Those nibbling wretches dare not tread
        On one of Petrarch's verses.

Works

Original lyrics by Petrarch, found in 1985 in Erfurt.

Petrarch is best known for his Italian poetry, especially Rerum vulgarium fragmenta ("Fragments of Vernacular Matters"), a collection of 366 lyric poems also called 'canzoniere' ('songbook'). He also wrote I trionfi ("The Triumphs"), a six-part narrative poem inspired by Dante. Petrarch was also a Latin scholar and wrote many works in Latin, including Secretum ("My Secret Book"), an imaginary dialogue with a figure inspired by Augustine of Hippo; De Viris Illustribus ("On Famous Men"), biographies of important people; and De Remediis Utriusque Fortunae ("Remedies for Fortune Fair and Foul"), a self-help book that stayed popular for centuries.

Petrarch also wrote many letters, some to famous people from history like Cicero and Virgil. He collected his letters into four groups: Familiares, Liber sine nomine, Disperse, and Seniles ("Letters of Old Age"). These letters often discussed his thoughts and life experiences.

Original ItalianEnglish translation by A.S. Kline
Aura che quelle chiome bionde et crespe
cercondi et movi, et se’ mossa da loro,
soavemente, et spargi quel dolce oro,
et poi ’l raccogli, e ’n bei nodi il rincrespe,

tu stai nelli occhi ond’amorose vespe
mi pungon sí, che ’nfin qua il sento et ploro,
et vacillando cerco il mio tesoro,
come animal che spesso adombre e ’ncespe:

ch’or me ’l par ritrovar, et or m’accorgo
ch’i’ ne son lunge, or mi sollievo or caggio,
ch’or quel ch’i’ bramo, or quel ch’è vero scorgo.

Aër felice, col bel vivo raggio
rimanti; et tu corrente et chiaro gorgo,
ché non poss’io cangiar teco vïaggio?
Breeze, blowing that blonde curling hair,
stirring it, and being softly stirred in turn,
scattering that sweet gold about, then
gathering it, in a lovely knot of curls again,

you linger around bright eyes whose loving sting
pierces me so, till I feel it and weep,
and I wander searching for my treasure,
like a creature that often shies and kicks:

now I seem to find her, now I realise
she’s far away, now I’m comforted, now despair,
now longing for her, now truly seeing her.

Happy air, remain here with your
living rays: and you, clear running stream,
why can’t I exchange my path for yours?

Dante

Dante Alighieri, detail from a Luca Signorelli fresco in the chapel of San Brizio, Duomo, Orvieto.

Petrarch was very different from Dante and his Divina Commedia. Dante's writing was shaped by his experiences in Florence, including his rise to power and later exile. His work used strong language to express political and philosophical ideas.

Petrarch's writing style stayed mostly the same throughout his life. He focused on poetry to cope with personal emotions, rather than exploring philosophy or politics like Dante. Petrarch spent much of his time perfecting his poems, especially those in the Canzoniere, which were dedicated to Laura. He also refined the sonnet form, creating what we now call the Petrarchan sonnet.

Philosophy

Statue of Petrarch on the Uffizi Palace, in Florence

Petrarch is often called the father of humanism and the "father of the Renaissance". He believed that studying ancient history and literature was very important for understanding human thoughts and actions. In his writings, Petrarch talked about how people can use their intelligence and creativity while still having a strong religious faith.

Petrarch also thought a lot about how people should live their lives. He liked quiet time for study and reflection, which influenced many thinkers during the Renaissance. His ideas about balancing personal growth with learning from the past helped shape the culture of the time.

Petrarchism

Petrarchism was a literary movement in the 16th century where writers from Italy, France, Spain, and England followed the style of Petrarch. They admired his poetry collection Il Canzoniere and used it as a guide for their own writing. Important writers who followed Petrarch's style include Pietro Bembo, Michelangelo, Mellin de Saint-Gelais, Vittoria Colonna, Clément Marot, Garcilaso de la Vega, Giovanni della Casa, Thomas Wyatt, Henry Howard, Joachim du Bellay, Edmund Spenser, Philip Sidney, and Bálint Balassi.

Legacy

Petrarch's tomb at Arquà Petrarca

Petrarch's influence extended to many artists and thinkers. Writers like Serafino Ciminelli from Aquila and Marin Držić from Dubrovnik were inspired by his work. Famous composer Franz Liszt even set some of Petrarch's poems to music.

Petrarch was also very interested in old coins. He would travel to places like Rome and buy ancient coins from people, enjoying the chance to learn about past Roman emperors through these pieces of history.

Works in English translation

Petrarch's works have been translated into English by many scholars over the years. Some of these translations include Africa by Erik Z. D. Ellis, Bucolicum Carmen by Thomas G. Bergin, and The Canzoniere by Mark Musa. Other notable translations are Invectives by David Marsh and Letters on Familiar Matters by Aldo S. Bernardo. These translations help readers around the world enjoy Petrarch's poetry and letters.

Additional translations include The Life of Solitude by Jacob Zeitlin, My Secret Book by Nicholas Mann, and Selected Letters by Elaine Fantham, making Petrarch's ideas accessible to many different audiences.

Images

The back entrance of St. Mary's Church in the town of Arquà Petrarca in Italy.
A beautiful medieval painting by Simone Martini showing shepherds with their sheep, created in the 1340s.
A marble bust of the ancient Roman statesman Marcus Tullius Cicero, sculpted by the famous Danish artist Bertel Thorvaldsen and displayed in Thorvaldsens Museum in Copenhagen.
Portrait of Laura, a celebrated figure in poetry by the Italian poet Francesco Petrarca.
Icons of two books, perfect for learning about reading and literature.

This article is a child-friendly adaptation of the Wikipedia article on Petrarch, available under CC BY-SA 4.0.

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